American Art Collector
Honored to have "Early Birds" included in the Collector's Focus: Still Lifes section of this amazing magazine!

South Carolina State Museum
Nice article about the South Carolina State Museum's 30th Anniversary Juried art exhibition that this painting was fortunate to be a part of.
State Museum’s 30th Anniversary Juried Exhibition Is a Thrilling Look at S.C.’s Artistic Present

American Art Collector
My painting, "Perception is Key" for the "Fool Me Once" show at Robert Lange Studios in Charleston, South Carolina. So surreal....and amazing.

A Few Recent Press Pieces....

South Carolina Arts Daily
http://www.scartshub.com/arts_daily/impermanent-objects/
North Charleston City Gallery presents Impermanent. Objects., an exhibition of oil paintings by local artist Patrick Nevins. On display will be a collection of realist paintings ranging from contemporary still lifes and vanitas to landscapes of Folly Beach and the Lowcountry. Opening reception is December 7 with the show running December 1 – January 31. Free.
The City of North Charleston’s Artist-in-Residence Camela Guevara will present a collection of abstract gouache works on paper, weavings, and other textile works in her exhibit PLUME, and local realist painter Patrick Nevins will present Impermanent. Objects., a selection of new seascape and still-life paintings in oil, in an exhibition at the North Charleston City Gallery. The exhibition runs December 1 – 29 at the North Charleston City Gallery. The artists will host a reception December 7 from 5- 7 pm. Free admission and parking.
Charleston City Paper
Charleston locals Camela Guevara and Patrick Nevins display their work at the North Charleston City Gallery (inside the Charleston Area Convention Center) from now through January. Guevara, the 2017-2018 North Charleston artist-in-residence, will show off her gouache paintings and sculptural textile work of handmade cording and woven raffia. The collection is titled PLUME for it’s feathery strokes and reference to oil plumes. Patrick Nevins is a small-town Massachusetts transplant now living on Folly Beach. Nevins fell in love with Charleston’s natural beauty which became the subject of his many landscapes and seascapes. His Impermanent. Objects. exhibit will include compelling still lifes that speak to the realism he is always striving for. Maggie Jordan, visual arts coordinator at the City Gallery, says that while Nevins' style requires “an incredible amount of discipline” and Guevara’s is “organic and spontaneous”, that both are local powerhouses making for a “fun juxtaposition...that’s approachable and special!”
Charleston City Paper
Honored to have my painting "Channeling Edison" awarded First Place in The Charleston City Paper's First Annual Art Contest!

A recent interview with Brian Sherwin of The Art Edge.
The Art Edge with Brian Sherwin
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Art Talk on the Edge: Interview with artist Patrick Nevins
This article is part of an on-going interview series on The Art Edge. The series will include interviews with artists, art dealers, curators, and other art world professionals. I have interviewed hundreds of artists in the past: James Rosenquist, Mark Ryden, Michel Craig-Martin, Sylvia Sleigh, Norman Carlberg, William T. Wiley, Chet Zar, Aleksandra Mir, Mark Staff Brandl... the list goes on. I have also interviewed my fair share of art dealers in the past: Edward Winkleman, Caryn Coleman, Fraser Kee Scott, Martita Slewe, Monique Meloche, Jan Wentrup, Steven Krul, Sara Nightingale, and so on. This wave of insightful interviews will continue on The Art Edge.

Reflective by artist Patrick Nevins
(Oil on Panel)
Artist Patrick Nevins clearly has passion for traditional painting techniques. However, his work is marked by a contemporary edge that gives teeth to his imagination upon canvas. The work I viewed is strengthened by a surreal quality that beckons viewers to consider the seen and the unseen. It is as if Patrick seeks to transport us to a visual realm of open, mysterious thought -- images that play upon our dreams and nightmares. I recently caught up with Patrick in order to learn more about his life and art. Additional information: Reflective by Patrick Nevins (shown below) was selected as a Finalist in the June 2012 BoldBrush Painting Competition.
Brian Sherwin: Thank you for accepting my interview request. Let's start with the basics. What can you tell our readers about your background?
Patrick Nevins: I've always been interested in art. I drew everywhere when I was growing up -- the back of restaurant place mats, sidewalks, and yes traditional paper. However, it wasn't until I was in my twenties that I started painting. After serving time in the Marine Corps I attended the College of Charleston with a major in studio art.
BS: Is that the point at which you started to focus on painting?
PN: To be perfectly honest, I really didn't get serious about painting until about five or six years ago. Much has changed. I couldn't imagine NOT painting at this point in time. You could say that painting has became a part of me.
BS: What can you tell us about your influences? For example, are you influenced by a specific artist from the past -- or anyone you consider a living master at present?
PN: Like most artists, I believe we take bits and pieces from other artists. It is like one generation building upon the prior generation. Influence trickles in from every angle... whether the artist is living or dead. I have always found myself drawn to The Water Seller of Seville by Velasquez. Additionally, I marvel at everything Norman Rockwell did. Today there are so many artist that I admire, Adam Vinson, Jacob Pfeiffer, Robert Lange, Matthew Cornell, and Joshua Suda just to name a few. You can't ignore the wave of influence that exists today.
BS: In a sense, the wave of influence that you mentioned has been amplified by the Internet. The ease of obtaining information has no doubt brought forth influences that may have been dormant, if you will, for decades -- if not longer. There is a downside to this. It may actually be more difficult to have 'staying power' in this day and age due to the constant bombardment of information...
PN: I try not to worry about it. I realize there are many talented artists out there and amazing pieces of art. I can only hope that one day I will be considered part of that group. For now I will continue to perfect my craft and try to expose as many people to my work as I can.
BS: Expose us! What can you tell us about your artwork?
PN: I think my art is still evolving and developing while trying to adhere to a realist style. Starting out in college I focused on the female figure, primarily the nude in a monochromatic style. Over the years, as I have tried to find my style and genre, I have pretty much dabbled in everything. I've painted landscapes, portraits, and still lifes. I believe it is important to explore different subject matter -- to try as many things as possible. It has helped me to become a better, more rounded, and versatile artist.
BS: It never hurts to embrace the spirit of experimentation in your studio. Have tried your hand at anything recently?
PN: Lately I have found myself drawn to trompe l'oeil painting. The exactness and detail needed seems to be something that I find intriguing and challenging. It is truly rewarding if you get it right.
BS: My understanding is that you are primarily an oil painter. What attracts you to oil painting?
PN: So far I have exclusively used oil paints. There is something about the feel, texture and smell of oil paints that I am drawn to. However, color mixing can still prove to be a source of frustration. Every oil painting I produce is truly a labor of love. I feel like I grow as an artist with each new piece.
BS: What about your artistic process? Can you offer some insight concerning how you approach a piece you're working on?
PN: I often work from photos. I will set up a still life or whatever subject I am painting, and take multiple photos to use as a reference. I will then manipulate it in Photoshop until I get my desired result. Then it is usually a quick sketch to get some 'muscle memory'. At that point I go straight to the canvas or panel. The more detailed a piece, the more accurate the sketch. Sometimes I will employ the grid technique.
BS: I would describe you as a painter's painter You clearly love the process of painting -- the act of painting clearly fills you with a sense of joy. With that in mind, how do you define success as an artist?
PN: Honestly, I still find it hard to describe myself as an 'artist'. I really don't' know if I have earned that title yet. Right now I suppose I have a simple definition of success. If I can make a living just painting... that to me is success. I'm certain my definition of success will evolve with years and experience.
BS: In closing, what is your primary goal at this time?
PN: I guess my overall goal would be to keep growing and getting better. I tend to be a bit of a perfectionist. Thus, one of my goals is to not be so hyper-critical all the time. Speeding up my studio process is also something to strive for.
I hope you've enjoyed my interview with artist Patrick Nevins. You can learn more about Patrick and his artwork by visiting www.patricknevinsart.com.
Take care, Stay true,
Brian Sherwin - Editor of The Art Edge
From the Art Mag: http://theartmag.com/the-arts/patrick-nevins/
PATRICK NEVINS
Patrick Nevins has been quietly painting in his studio on Folly Beach. He’s like the quiet guy who doesn’t say too much and
you can’t really tell what’s going on in his mind. But rest assured, there’s a lot going on in there. When you see his paintings, it becomes apparent that his preferred method of communication is through a paintbrush. His realist paintings speak volumes.
Nevins’ passion for perfection shows in his still lifes, with subjects ranging from his grandmother’s painting palette to more unique subjects like a skull or a Swiss Army Knife. He also has some fun with pieces like the one of a red apple next to an iPhone—of course, made by Apple. His self-portrait of him looking through a broken piece of wood is quite striking and one of his strongest pieces to date.
From Nevins’ early career as a videographer in the Marines to his studio art degree from the College of Charleston, his heart is in the art. His earliest taste of success was in third grade, up in Massachusetts, when he won a t-shirt design contest and the whole school was wearing his design. And Nevins wants more of those fulfilling experiences. He has spent the past several years fine tuning his painting and is now feeling ready to really make a career as a professional artist.
If you are a collector, this is one to watch—and snatch up some works before they get expensive! Although no one really knows this super talented artist’s work at the moment, and he has not yet found the perfect gallery representation, he’s already sold paintings directly off his Facebook page without even trying. He probably doesn’t realize it, but he’s in that sweet spot just before his career takes off. How exciting for him and what a great opportunity for all you galleries and collectors out there!
words: Dee Dee Arthur and Olivia Pool
A little article from:

http://faso.com/fineartviews/89047/faso-featured-artists-artist-patrick-nevins
FASO Featured Artists: Artist Patrick Nevins
by Carrie Turner on 2/25/2015 2:13:32 AM
This article is by Carrie Turner, editor of FineArtViews. During her tenure as editor, FineArtViews has been mentioned or referenced by The Huffington Post, MLive, WorldNetDaily (WND), artnet, COMPANY, American Artist Magazine, ArtBizBlog, The Abundant Artist, EmptyEasel and many other publications and blogs. FASO Featured Artists (FFA) is a regular blog series on FineArtViews. Art critic Brian Sherwin is a consultant for the FFA series. The FFA selections are featured prominently on theFineArtViews newsletter -- and are shared with over 28,354+ subscribers. You can read about other recent FASO Featured Artists by clicking here.

Reflective by artist Patrick Nevins
(Oil on Panel)
Artist Patrick Nevins is gaining attention for his unique brand of realism. Patrick notes that he strives to refine his art by exploring various subject matter. Each painting reflects his dedication to the art of oil painting. His still life, portrait and figure paintings are a joy to observe.

Envy by artist Patrick Nevins
(Oil on Panel)
Artist Patrick Nevins offered some insight into his thought process as a painter: "I have never described myself as an 'artist', I'm just somebody who loves to paint. I love everything about it; the way a brush feels in my hand, how the oils smell on a wood panel, the ability to manipulate paint and make it take shape. Every piece of artwork I produce truly is a labor of love. I feel like I grow as an 'artist' with each new piece."
Art critic Brian Sherwin, Editor of The Art Edge, commented on Patrick's paintings. Sherwin said, "Artist Patrick Nevins clearly has passion for traditional painting techniques... yet his work is marked by a contemporary edge that gives teeth to his imagination upon canvas. The work I viewed is strengthened by a surreal quality that beckons viewers to consider the seen and the unseen. It is as if Patrick seeks to transport us to a visual realm of open, mysterious thought -- images that play upon our dreams... and our nightmares."

Introspective by artist Patrick Nevins
(Oil on Panel)
You can learn more about artist Patrick Nevins and his oil paintings by visiting www.patricknevinsart.com.

